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Dramaturgy
Notes from the Director When I began developing my ideas and doing research for directing Arsenic and Old Lace, the first thing that jumped out at me was the Play’s references to the events, inside jokes and the people of its time. Not being from that era myself, some of the references made me wonder what they meant. Who were these people and events? I began to think about an audience in the year 2001 that didn’t live in the Late 1930s and Early 1940s. They might overlook some of the best pieces of comic business in the Play! In honor of the Sixtieth Anniversary of this
wonderfully dark comedy by Joseph Kesselring, let’s go back for a quick look
at America in the year 1941 to get a better understanding of the era and the
Play. Later, we’ll do a quick exploration into the Play’s references and a
Back Story on Kesselring and his life. I
hope you enjoy this "look back" to another time.
I hope too, that you will join us in October for our performances of Arsenic
and Old Lace. 1941—"A
date which will live in Infamy
Mentioned in the Dialogue Play A BEHRMAN PLAY Samuel Nathaniel Behrman 1893-1973, American dramatist. His sophisticated comedies often attempt to probe the consciences of the wealthy and privileged. THE OREGAN USS Oregon in reality was one of the newest battleships of the American fleet in 1898. The Oregon that was the gem of the American Naval Fleet and the favorite of the real Teddy Roosevelt. BURNES MANTLE A renowned theatre critic for the Chicago Tribune. He won a Tony Award in 1947 for his annual publication of The Ten Best Plays. It is interesting to note that in his 1941 publication of The Ten Best Plays, he named Arsenic and Old Lace as one of the ten best plays. WALTER WINCHELL (WINCHEL) Journalist and broadcaster whose newspaper columns and radio broadcasts containing news and gossip gave him a massive audience and much influence in the United States in the 1930s, '40s, and '50s. PARANDELLO Italian playwright, novelist, and short-story writer, winner of the 1934 Nobel Prize for Literature. With his invention of the “theatre within the theatre” He became an important innovator in modern drama. BOMBAZINE
(BOMBASINE) Textile, usually black in color, with a silk warp and worsted weft, woven in either plain or twill weave. Its principal use is as a garb of mourning. GENERAL
GOETHALS (GEORGE WASHINGTON GOETHALS) U.S. Army officer and engineer. Directed the building of the Panama Canal. CULEBRA CUT An excavation, about 8 mi long and 45 ft deep, through Culebra Mountain, a hill in Panama. The cut forms the southeast section of the Panama Canal. STRINDBERG Swedish writer of novels and plays, which are noted for their psychological realism. HELLZAPOPPIN A very successful Broadway Musical in 1941. The hit of the show was the un-expected Stunts and Pranks, some extremely insulting. However no one was offended as they had "Stooges" or “Plants” in the audience that would be part of the show. JUDITH
ANDERSON A British actress. Notable films were Rebecca (1940), Laura (1944), and Cat on a Hot Tin Roof (1958). She was made a Dame of the British Empire in 1960. The
Man, His Life and His Work
Joseph Kesselring, the son of ethnic German parents in New York, was born on July 21, 1902. During his lifetime, he worked as an actor, writer of short stories and poems and a stage and musical director in Theatre. He died November 5, 1967 at the age of 55. His wife Charlotte renewed the copyright in 1968 and 1969.
He wrote Arsenic and Old Lace in 1939. It was his
only success. This success provided unexpected wealth for Kesselring. The piece
was presented on stage as a dark comedy on August 18, 1941 and was produced by
Howard Lindsay and Russel Crouse at the Fulton Theatre in New York. The following is the
original cast in order of appearance:
The play was presented as
the dark comedy that we all know and love today, but that is not really what the
author first intended it to be. What came to be called Arsenic and Old Lace
was originally intended to be a psycho-thriller, written in the style of Johan
August Strindburg entitled Corpses in the Cellar. Extensive research
turned up no evidence of the original story. Arsenic and Old Lace was
made into a film in 1944. The film of the same name was produced by Frank Capra
and starred Cary Grant. It quickly became a film classic and remains so to this
day. The “Write” of Life Most writers pull ideas from real people and real lives
all the time, and Kesselring was no exception to this. Joseph Kesselring’s father, Ronald Kesselring was a
famous New York surgeon. The younger Kesselring had very mixed feelings about
his father’s work. These feelings developed into the character “Doctor
Herman Einstein” and in the description of the deceased, off-line character
“Grandfather Brewster” As is done by many playwrights, Kesselring wrote his
personal life in two of Arsenic’s characters. Theodore Roosevelt, being the
foundation for the character “Teddy Brewster”, was the personification of
Kesselring’s feelings of pride, patriotism and raw courage. The character
being most like the author is the totally self-absorbed playwright, Officer
Patrick O’Hara, who, like Kesselring in real life, was totally focused on
being a legitimate stage writer. Happy Anniversary A&OL This year marks the sixtieth anniversary of this American Classic called Arsenic and Old Lace by Mr. Joseph Kesselring. As one director of this play in a long line of directors, past, present and future, in both the amateur and professional theatre. I fervently hope that our production of Arsenic and Old Lace honors the man, his life and his work. |